Wednesday, 21 September 2016



Episode two of my podcast with the excellent Caspar Salmon.  This time he introduces me to the highbrow-ish-ness of It Happened One Night and I make him sit through an episode of Poldark.  Or should that be Podlark?  One of these two things we really love, one of them we really hate, can you guess which is which?

You can listen below, or download it here, and it should also be on iTunes soon I PROMISE.


Wednesday, 7 September 2016


My great friend (and excellent writer) Caspar Salmon and I have started a podcast where we introduce each other to some of our favourite TV, films, books and possibly even music.   Only problem is Caspar is far more intelligent and cultured than I am, so you can imagine the japes that ensue!  In this first episode I force Caspar to watch Wayne's World, and he takes me to see Cameraperson, a documentary by Kirsten Johnson.  You can listen below, or download it here, and it should also be on iTunes in the next few days once they've sorted their shit out.  

Also, for Anne T. Donahue fans (I'm one) we will do another episode of Pilots Podcast at some point, but she's really busy and successful and I am happy basking in the glow of her female power.  


Monday, 5 September 2016


I'm doing a bloody massive wardrobe clear out and giving tonnes to charity, but some of the bits that I really love I'm selling at my shop here.  I'm going to keep adding to it as I sort, so you might want to check back in.  Also if there's anything you really want but it's too expensive, email me on and we might be able to sort something out!

There is a furry cape on there.  And glittery shoes.  And a dress I wore on stage a lot when we started the band, but I promise it's clean!

Wednesday, 31 August 2016




Boden's new stuff is like Lily Savage meets Francoise Hardy, but, you know, in a good way.

My favourite bits include...

This excellent autumn coat which brightens up the horrible weather we're having.
These patent mary janes with a very walk-friendly heel.
A bloody marvellous linen t-shirt.  I know.  Linen.  I want it in every colour.
This striped shirt dress which is both excellent colours and looks supremely comfortable when you're having a bloated day.
This pencil skirt, I'm wearing it above in leopard print, but I'm a big fan of the gingham.
I also desperately want these high heel loafers, I'm worried I wouldn't be able to walk in them but also I don't really care?
And finally a necklace in csarite WHAT IS CSARITE?  I know it's a hue of green but it sounds a bit like some sort of cream you'd put on an icky rash.

That's all for now, more of my shopping lists as and when they happen. 

Thursday, 25 August 2016



Warning: contains spoilers for season two of Fargo, season one of Mr. Robot and the movie Gone Girl. 

In the history of TV and film, there is a short list of stereotypes to which female characters conform. Even in modern, critically acclaimed productions, women often end up playing supporting roles: either as a wife holding the family together while the flawed, nuanced and over-written male lead sucks up all the juicy stories, or as a love interest adding sex appeal and sensitivity as we once again witness the eternal struggle of being young, white and male in this world.

In the last few years we've seen that start to change. Shows like Orange Is the New Black and Broad City have women acting mean, failing and doing poos. Women who have issues, but issues that don't mean they show up at their ex's house in the rain, sobbing uncontrollably while holding out a photo of what their baby would look like, snottily singing Adele. These new TV women are messy and chaotic, and they only seem manic and pixie-like when they're really, really high. 

The thirst for these kinds of character is growing with each TV season, and comedy actresses, in particular, have broken down the door to allow darker and more morally ambiguous characters in drama. In particular, a new type of female character has emerged, made up of glamour, instability and eyeshadow. These are women who are unmerciful in their actions and unbalanced in their temperament, but always look like they just stepped out of the salon.

Saturday, 13 August 2016



A pinafore, like the green and white check one I'm wearing here, (which I got in the Urban Outfitters sale.  Similar here) is actually an apron, according to Wikipedia.  And it's supposed to be "protective".  In America they're actually called jumper dresses (is that correct American friends?!)  This is already far too confusing.  

Meanwhile the dungaree, or overall, or over all, or overalls, or bib-and-brace overalls, or party bibs - my new favourite name for them - are also supposed to be something you wear to shield the clothing underneath.   Ideal for people who do work that might mess up their nice white shirts, or are like me and find chocolate marks all over their tops.  Even when I haven't eaten any chocolate.  Since the 1960s cool people of the world have worn them to be cool because that is what cool people do.  Some of my favourite overall/dungaree wearers in pop culture are listed below.

1. Lake Bell's character Donna in Wet Hot American Summer: First Day Of Camp
2. Sasha Jenson's character Don (wait, Don, Donna?!) in Dazed And Confused 
3. Heather O'Rouke as Carol in Poltergeist 
4. Larisa Oleynik as Alex in The Secret World Of Alex Mack 
5. Mary Louise Parker as Ruth and Mary Stuart Masterson as Idgie in Fried Green Tomatoes

By the way if you have Netflix I recommend the behind the scenes mini doc made when they filmed the original Wet Hot American Summer in 2001.  It's called Hurricane of Fun: The Making of Wet Hot and is worth it if only to see a youthful Bradley Cooper talking about the role - his first out of acting school. 

Wednesday, 13 July 2016


There isn't much I can say about The Shining which hasn't already been said.  It has been dissected so many times, and from so many different angles, that it's almost surprising the film hasn't been reduced to chunks of orange carpet and splinters of wood from hacked up doors.  And what's most intriguing, and equally frustrating, is that most of these discussions about Kubrick's masterpiece are open-ended and unverified.  How long did shooting take?  How many times did Shelley Duvall do the scene on the stairs with the baseball bat?  Did the author of the book it's based on, Stephen King, hate it and then change his mind?  Or did he just have to say he changed his mind because of a legal clause and then when Kubrick died he ignored that and went back to bad-mouthing it?  Why is Danny in two different positions in the same scene on *that* carpet?  Surely someone as notoriously meticulous as Kubrick wouldn't do that as a mistake?  So what does it mean?  Why does Jack's typewriter change from white to blue?  Or is it blue to white?

And that's not even scratching the surface.

There are a few things we do know for certain.  Shooting was arduous, with endless script changes.  Shelley Duvall was pushed to her emotional limits by Kubrick.  Jack Nicholson shouted and jumped around with his axe to get into character before filming the "here's Johnny!" scene.  And the set of the hotel is purposefully designed to not make any sense - ballrooms too big for that building, corridors that lead nowhere, fridge doors that open both ways.

If you feel like there's more you want to explore about Kubrick's masterpiece then I recommend the documentary Room 237.  Well, I say recommend - personally I found it completely bonkers and disagreed with most of the content.  But I think I'm in the minority.  However there is one theory presented in that film which I kept thinking about when I saw The Shining again recently - the Native American connection.  There are references in the film that the hotel is built on an Indian burial ground, and the hotel itself is decorated with lots of Native American motifs.  For example in this room.